Rating: ★★
Venue: New Wimbledon Theatre
Former Secret Service agent turned bodyguard, Frank Farmer, is hired to protect superstar Rachel Marron from an unknown stalker. Each expects to be in charge – what they don't expect is to fall in love. A ‘BRILLIANT!’ (The Times), breathtakingly romantic thriller, THE BODYGUARD features a whole host of irresistible classics including Queen of the Night, So Emotional, One Moment in Time, Saving All My Love, Run to You, I Have Nothing, Greatest Love Of All, Million Dollar Bill, I Wanna Dance With Somebody and one of the greatest hit songs of all time – I Will Always Love You.
An overall underwhelming production of what could be (and has previously been) a five star show.
I went into the theatre knowing nothing of The Bodyguard - I have never seen the film, and I only knew a few of the songs. Safe to say, this jukebox has fallen firmly into the trap of expecting its audience to know what's going on in advance. This was not through any lack of communication in the book, as that was arguably one of the stronger elements of the show, but through the poor diction, annunciation, and sound quality throughout. In scenes where dialogue is not underscored, the levels seemed balanced enough, however as soon as the music kicked in, all lyrics were completely lost. It feels as though no one had picked up on this (or perhaps they did and thought nothing of it) as it is anticipated we will all know these numbers anyway - a common flaw with this type of musical.
Overall, the performances were lacklustre, with more than one of the principles seeming to struggle with the top notes. Much of the dialogue was performed with as much enthusiasm as it seems to have been written (read: minimal), and there was a total lack of energy in most of the cast. The main exception to this were the ensemble dancers, who were flung around the stage at every opportunity. They had their legs up by their head nearly as many times as they were held upside down in full splits or straddles - a real spectacle. But unfortunately the choreography was another example of style over substance, as very few of the movements related at all to the story being told, and it was technically lacking; instead full of repetitive (albeit impressive) partner work and tricks.
Another disappointing creative element was the costumes. Even from the dress circle these looked unflattering, cheap, and tacky. At one point the leading lady arrived at one of her gigs in actual jeggings - which completely juxtaposed the rest of her outfit and presentation.
Points to the singers for vocally powering through some incredibly tough numbers, to the dancers for keeping up with such fast paced direction, and to the set designer for providing some rather impressive backgrounds (especially for a touring production)!
If you are looking for something easy to watch, predictable, and flashy then this may be the show for you.
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